That’s why it’s particularly important for this type to aerate and seed in the fall, so you can prepare for a healthy spring. While it is an easy choice, it does take longer to germinate than similar grass types. You can expect talle fescue to reach a healthy height of 2″ to 3.5″. Feel free to plant it on heavily trafficked areas. It does fairly well in both full-sun and shade. It’s a low-maintenance and resilient choice, which is why it’s great for nearly every lawn. Tall fescue thrives in the Northeast United States. Learn what this grass is like and other options for your yard. A popular choice for PA & NJ lawns is tall fescue grass seed. The grass chosen for a yard in California won’t necessarily thrive on the East Coast. If you want that luscious, green lawn, you need to pick out the right grass seed for your area of the country. Fertilize your lawn after aeration to allow the fertilizer’s nutrients to penetrate the grass’ roots.Tall Fescue Grass Seed for PA & NJ And Other Local Grass Options Aerating-The best time to aerate a fescue lawn is during temperate fall or spring months.Each fescue lawn is unique, so make sure you keep an eye on yours to ensure it receives the proper amount of watering. Watering-Although fescue is heat- and drought-resistant, it does need a little extra water during the summer months.However, during the summer months, you should keep an eye on your thinning lawn and regularly weed to ensure its health. Weeding-Fescue lawns thrive during the winter months as their thick blades typically ward off damaging weeds.When mowing, you should only cut about an inch off. Mowing your fescue lawn allows the fescue clumps to spread among your yard and promote a thick, full yard. Once they are given time to grow, most fescue lawns can be mowed when the grass is at four inches. Mowing-Planted fescue seeds need a few weeks to mature before being mowed.Like its counterparts, sheep fescue is a cool-season grass that does well in a variety of climates.Īlthough fescue lawns don’t require heavy maintenance, there are a few simple tasks you’ll need to complete in order to grow a healthy, full fescue lawn: Sheep fescue grass improves soil conditions and is used to curtail erosion. This type of fescue does well in the northern United States and Canada, and it is known for its drought-resistance. Chewings Fescue GrassĬhewings fescue is similar to tall fescue in that it grows in an upright fashion but is fine fescue with thin leaves. This fescue variant is most commonly used in golf course roughs. Hard fescue is used in grass seed blends to increase fertility and requires little mowing. Often, creeping red fescue is added to other grass seeds to promote shade tolerance and reduce fertilization needs. Creeping Red Fescue GrassĬreeping red fescue gives off a deep green color and is characterized by its fine blades. This type of fescue has a deep root system that promotes health through periods of no rain. Tall fescue grass is used in high-traffic areas like baseball fields and commercial sites because it’s durable and shade tolerant. Many tall fescue lawns are Kentucky 31 fescue, a type of tall fescue that’s known for its coarse appearance. Fescue grass is a species consisting of multiple seed varieties, including tall fescue, creeping red fescue, hard fescue, chewings fescue, and sheep fescue.
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While we welcome feedback, if you pop into modmail being a stick, you are less likely to be taken seriously or with actual concern, so please take that into consideration. souls, inculcated that the souls of the righteous whose conversation is. While we can't please everyone all of the time, we are human and do our best to make the sub as enjoyable as possible for everyone. As the fish is the well - known emblem of our Lord, in a similiar manner the. Mods are flexible: Mods hold the right to take exception to any of the rules if they feel it will benefit the sub. No excessive selling: While selling things on /r/pinkfloyd is allowed, moderators will take discretion if you're making a lot of posts trying to sell all your things or your only purpose here appears to be to sell things (see also Spam) More information Two lost souls swimming in a fish bowl. No political posts: Overtly political posts that have little to do with Pink Floyd, or simply use Pink Floyd themes (see also Trump and The Wall), are not allowed. Funny Tattoos Cute Tattoos Simple Tattoos New Tattoos Body Art Tattoos Sleeve Tattoos Tatoos Pink Floyd Tattoo Art Pink Tattoo More information. Otherwise they belong in /r/PinkFloydCircleJerk. Its easy to feel lost, but with the right. we are just two lost souls swimming in a fish bowl year after year - YouTube AboutPressCopyrightContact usCreatorsAdvertiseDevelopersTermsPrivacyPolicy & SafetyHow YouTube worksTest new. Memes and low-effort posts are not allowed except on Shitpost Sunday. As grand and big as the world is, it can feel like a fish bowl sometimes repetitive and strange and small. Bootleg distribution is okay as long as it's of content that can't be found through official channels.Ĭontent must be Floyd related(No Spam): Posts must be directly related to Pink Floyd. We're just two lost souls Swimming in a fish bowl, Year after year, Running over the same old ground. No piracy: Piracy or encouraging of piracy is strictly forbidden, and will result in a perma ban. We're just two lost souls swimming in a fishbowl, year after year Running over the same old ground What have we found The same old fears Wish you were here Submit Corrections Thanks to Big Canoe, Jayy, Greg, clare, angelchild55846 for correcting these lyrics. To the greatest rock band in history all creation ever.Ĭan't Decide Where to Start in the Pink Floyd Catalog?ĭon't be a jerk: Unruly behavior and harassing other subscribers with inappropriate language will result in a warning, and if said behavior continues, you will be banned. Something you are given on top of what you already have. You are telling the game to take your Mana so you can have less gem costs etc.Ī bonus is usually thought of as something "extra". The game isn't "stealing you beginning mana!". Feel free to take it to heart or ignore it completely. They'll die just as easily, even if you're low lvl and hardly have any skills yet.Īnyways, that's just my input. Also, if you've got a basic idea of how to set up your towers,traps and gems, it really doesn't matter how many enemies this thing zaps and where they are. It does not deliberately target enemies close to your orb all the time. Yes, it can zap an enemy that is close to your orb, but it's just as likely that it zaps an enemy that's not even close. It's a different game than most others i have seen/played for sure, but the basic game mechanics are really not that hard to figure out.Īlso, the obelisk that zaps enemies to make them stronger (forgot what it's called), targets enemies randomly. If you were having fun with it before, I'm sure you could have a lot more fun with it still. However, i wouldn't give up on Gemcraft just yet. Hardest strategy game I have played to date. Prepare to learn the game by reading the forums, wiki and losing many many times before getting your first normal/hard win. It's a combination of TD, RTS and 4x and this game will mess you up. If you really do like a serious challenge, i suggest checking out AI war: Fleet Command. Plus the graphics are pretty nice for a TD game. Yet some can still provide a decent challenge. Sticking to the TD genre, may i suggest you look into Defense Grid: The Awakening? Most missions in that game are pretty straightforward and easy to win. Maybe you enjoy games that are more straightforward than gemcraft is. But honestly, this game is not that difficult (i haven't tried Iron Wizard mode yet so i can't comment on that). You say you enjoy difficult games and you like a good challenge. But why post about it on a forum where everyone will tell you that you simply suck at the game? Maybe you enjoy reading posts from random online people telling you that you suck at something? It just boggles my mind is all. Which is fine by itself, everyone ragequits from time to time. Instead of taking their time and try to figure it out (read guides, ask for advice, trial and sometimes lots of error, etc), they yell about cheats/hacks and then often give up. It's funny how some people proclaim that a game cheats or a person hacks when they can't figure out how the game works or how a person can be much more skilled in a game than they are. But I hate cheaters, and this game is a big time cheater. If I play so it looks like I am a loser and am going to lose, the obelisk only zaps one or two of the enemies to double or triple power. The thing is programmed so the more it looks like I am going to win, the more enemies the obelisk zaps to double or triple power. Then there is one map with an obelisk that zaps the enemies occasionally to make them double or triple powered. If I give up the bonus to skills and talismans and start with full mana, the enemies go back to normal speed, but the map is unbeatable because of no skills and talismans. If I take the benefits from skills or talismans, even with the penalties to the beginning mana, and it looks like I am going to win? The enemies suddenly start moving at double speed. I have been trying every single combination available to beat various maps without orb banishment and it is impossible. Except it won't, because if you take the bonus mana on enemy kill, you will start with 400 mana initially. If you have 500 mana to start a map and they offer your more mana on an enemy kill, you think "great! it will be easier to win". But if you actually take them up on the offer of a bonus, they steal your beginning mana! For instance. Then after beating maps it offers you a bonus of more mana on killing an enemy or less gem cost, etc. The game gives you a set amount of beginning mana. I enjoy beating a map without any banishments by the orb.Īfter playing the game for awhile it is obvious it is programmed to cheat. It’s worth remembering that Velvet Revolver aren’t really a band set up to challenge Roses’ GNR for the title of the most ludicrously OTT Rock band in existence, as people seem to treat them look at them as a simple Rock band, remove all preconceptions of what an album featuring Duff and Slash should sound like, and Libertad proves to be, if not a great album, then a pretty darn good one.With that tantalising promise, Velvet Revolver vocalist Scott Weiland launched that band’s debut record to the press. Taking For A Brother alone, the strident tribute to Weiland’s brother who died of a drug overdose, it's superior to anything from Chinese Democracy whether musically, emotionally, or however you look at it.ĭetractors will accuse this album of being too laid back, too eager to coast when they should be raging, too fond of regurgitating unoriginal songs that have been done many times before, but even the tracks where this could be true like Get Out The Door and Just Sixteen are enjoyable songs nonetheless. Towards the end of the album things do get slightly repetitive, and yes, the ELO cover should have been left on the studio floor, but it’s easily a better album than Chinese Democracy, and should be more than enough to convince people where the songwriting talent in GNR lay. It’s worth noting how well the album flows, the drum intro to Mary Mary one smooth and effective example. Almost.ĭon’t listen expecting many experimental moments, the variation in percussion on American Man being practically the only step away from the formula. Heck, even Weiland sounds better than he did on Contraband, almost making me disappointed that he’s gone from the band. Softer, balladic tracks like The Last Fight and Gravedancer are well-placed and fit in well amidst the Rockier songs, and yes, whilst there are the odd filler tracks that sound a bit too much like typical American Rock ( Pills, Demons & Etc, for one) they’re fewer in number and are easily ignored against the better songs. The funky She Mine touches on Red Hot Chilli Peppers territory, whilst the Grungy likes of She Builds Quick Machines are more tolerant of Weiland’s Stone Temple Pilots background than you’d have thought. Listening to Libertad is almost like looking back through your Rock collection from the past ten or twenty years. Many may accuse them of coasting by on this reputation, but as a fan of Rock in general it’s hard not to enjoy the likes of opening track Let It Roll, a defiantly backward-looking Rocker that features all the elements of a successful Hard Rock song – catchy vocal hooks, great guitar leads, killer rhythm section – and that touches on several genres, from Punk to Classic Rock, without adding the ‘modern’ influences that made Contraband such a chore at times. Personally, I’ve never been a huge fan of any of the musicians involved (frequent forum-goers will know of my near-hatred for Guns N’Roses) but it’s impossible to deny that all are charismatic ‘stars’, survivors of a scene long-thought passed on. Yet giving them both more listens, it’s Libertad that works better as an album, fits Weiland’s whiny Punkish voice to the post- GNR Classic Rock vibes that Slash, Duff and co slide out so easily. Libertad sold considerably less and was seen as a commercial failure for the band, lacking the instant hits of the first album like Sucker Train Blues and Slither. As the Rock and Roll circus that is Velvet Revolver rolls on in search of a new frontman after finally having ditched Scott Weiland early in 2008, it’s worth taking a look back at the band’s generally panned second album, the follow-up to the double platinum Contraband. This is the period when many composers, such as Jean Sibelius, Bela Bartok, and Ralph Vaughan-Williams, concentrated on the traditions of their own countries, producing strongly nationalistic music. The period that includes the final decades of the nineteenth century and the first decades of the twentieth is sometimes called the post-Romantic era. Perhaps because there was no clear answer to this question (or several possible answers), many things were happening in music by the end of the Romantic era. Perhaps it was inevitable, after decades of pushing at all limits to see what was musically acceptable, that the Romantic era would leave later composers with the question of what to explore or challenge next. Berlioz, Strauss, and Wagner were all progressives whose music challenged the audiences of their day. Other composers felt more comfortable with pushing the boundaries of the acceptable. Schubert, Schumann, Mendelssohn and Brahms are in this category. Their music is clearly Romantic in style and feeling, but it also still clearly does not want to stray too far from the Classical rules. In fact, one could divide the main part of the Romantic era into two schools of composers. The harmonies in the movement might lead away from and back to the tonic just as expected, but they might wander much further afield than a Classical sonata would, before they make their final return. For example, the first movement of a Romantic sonata may contain all the expected sections as the music develops, but the composer might feel free to expand or contract some sections or to add unexpected interruptions between them. In the nineteenth century, the “rules” that provided this structure were more likely to be seen as boundaries and limits that needed to be explored, tested, and even defied. In the first movement of a sonata, for example, each prescribed section would likely be where it belonged, the appropriate length, and in the proper key. In the eighteenth century, composers were primarily interested in forms, melodies, and harmonies that provided an easily-audible structure for the music. The main difference between Classical and Romantic music came from attitudes towards these “rules”. They also kept the basic rules for these forms, as well as keeping the rules of rhythm, melody, harmony, harmonic progression, tuning, and performance practice that were established in (or before) the Classical period. They continued to write symphonies, concertos, sonatas, and operas, forms that were all popular with classical composers. In fact, they were consciously emulating the composers they considered to be the great classicists: Haydn, Mozart, and particularly Beethoven. Modern composers also were consciously trying to invent something new and very different.īut the composers of the Romantic era did not reject Classical music. Early Classical composers, for example, were determined to get away from what they considered the excesses of the Baroque style. Sometimes a new style of music happens when composers forcefully reject the old style. Background, Development, and Influence Classical Roots And by the end of the century, composers were turning away from Romanticism and searching for new idioms, including post-Romanticism, Impressionism, and early experiments in Modern music. The beginning of that century found plenty of composers (Rossini, for example) who were still writing Classical-sounding music. But there has been plenty of music written in the Romantic style in the twentieth century (including many popular movie scores), and music isn’t considered Romantic just because it was written in the nineteenth century. The term Romantic covers most of the music (and art and literature) of Western civilization from the nineteenth century (the 1800’s). But his later music, including the majority of his most famous music, is just as clearly Romantic. His early works are from the Classical period and are clearly Classical in style. Ludwig van Beethoven, possibly the most famous composer of all, is harder to place. The Romantic era produced many more composers whose names and music are still familiar and popular today: Brahms, Tchaikovsky, Schumann, Schubert, Chopin, and Wagner are perhaps the most well-known, but there are plenty of others who may also be familiar, including Strauss, Verdi, Liszt, Mendelssohn, Puccini, and Mahler. Only two Classical-period composers are widely known: Mozart and Haydn. When people talk about “Classical” music, they usually mean Western art music of any time period. But the Classical period was actually a very short era, basically the second half of the eighteenth century. 15 Chapter 15: Music of the Romantic Era Romantic Era Explored Introduction “Hyper-realistic textures,” “Precise details,” “Realistic still life,” “Realistic portraits,” “Realistic landscapes.”.“Blurry brushstrokes,” “Painted light,” “Impressionistic landscapes,” “Pastel colors,” “Impressionistic portraits.”.These aren’t the best examples of what midjourney is capable of (though I’ll share a few more advanced tricks at the end!) Best MidJourney Prompts: Art Styles & Photography Even if not perfect, Midjourney is pretty great at conveying the idea. In the following, I’m using 16:9 and just sharing the first, rough draft, without any upscaling, to give you an idea of the potential styles. You can play with them, or just add them to the end of your prompt individually. Midjourney also has a few extra settings. “Simplicity,” “Clean lines,” “Minimal colors,” “Negative space,” “Minimal still life.”īut really, you’d start off with the WHAT first, describe the scene and the details then add the style keywords.“Emotive eyes,” “Intense gazes,” “Contemplative mood,” “Expressive gestures,” “Stylized poses”.“Majestic mountains,” “Lush forests,” “Glittering lakes,” “Desert dunes,” “Golden sunsets.”.“Dreamlike,” “Surreal landscapes,” “Mystical creatures,” “Twisted reality,” “Surreal still life.”.“Vibrant colors,” “Geometric shapes,” “Abstract patterns,” “Movement and flow,” “Texture and layers.”.Here are some basics keywords where I didn’t even add a subject! If you don’t pick ANY style, it will guess, and it may not guess what you want. Experimenting with different keywords and styles can lead to surprising and unique AI generated images and art. You can have a realistic close-up portrait, but if you do a big scene with lots of detail, it’ll get kind of close but not perfect.įor best AI art results, it’s important to provide clear, descriptive text-to-image prompts and to adjust the settings in the AI tool to your desired level of customization and control. You can use full sentences or not, but the more complex, the trickier it gets. WordPress is combining my doubledashes to an m-dash).Īt the basic level, just describe what you want to see. (You need to add 2 short dashes – – and the spacing has to be right. The sizes need to come at the very end, after the whole prompt, with two dash, you can copy/paste these: The default size is square, but you can get a landscape or portrait (tall or wide) with these. You’ll probably want to test sizes and ratios too. But you can also make logos, sketches, tattoo or comic book art, children’s books… the sky is the limit and the results are insane. Mostly likely, you’ll want either an artistic, illustrative style or a photorealistic style. Then add styles until it’s closer to what you’ve imagined. Keep things simple in the beginning, just describe what you want to see. So these prompts will help you get what you want faster, but they’re just a starting point for you to develop “ethical” Midjourney prompts that are more unique. Note: it’s dodgy, but not illegal, to copy an artist’s style directly by using their name (for living artists at least) but you could also just paste in 2 pieces of artwork and reproduce something much closer to their originals. I’ll go through soon and make examples of some of these so you can see the differences, but here’s a handy reference guide. What are the best text-to-image prompt keywords for unique types of art and photographic styles? For best AI art results? How about architecture, fantasy art, character renders and logo design? I’ve been playing with Midjourney and other text to image generators built around stable diffusion and I have my own prompts to get the best quality images, but recently I let chatGPT3 help me brainstorm some new ones… so here’s a huge list! Scroll all the way down for new prompts, V5 examples and a “magic secret word” prompt that unlocks stunning results. Update! Midjourney Version 5 just came out, and it’s more photographic and less artistic. You're NOT going to recover any useful data from that. So I hear the FBI has people that sign to testify they took a drive "to the shop" and watched while someone opened it up and use a ?grinder? to literally shred the disk platters to dust. (OK, so it's possible, but is anyone REALLY going to use an electron microscope to detect drive platter slight head misalignments and recover the previous information from the misaligned tracks? For EACH track? *MY* data isn't that important.) Using BleachBit or DBAN or ( STOP throwing things at me!) just writing a bunch of 0s to the raw disk work just as well, if you want to reuse the drive w/o having any of the previous data leaked. (Or if the data is physically stored encrypted, they just erase the internal stored key.) That's if you TRUST them doing it, that is. SMART drives are supposed to have a self "secure erase" command, that erases the drive at hardware speeds. (Paste a picture of your boss or a favorite user on it if it'll help.) Platters with large gashes in them are hard to recover - plus it's fun, helps reduce stress. Get some cardio exercise while wielding a crowbar. Oh and if you do go the drill route, use a drill press or some other mounted and locked system. If true, that seems like overkill even for spooky spy shit. There was a likely apocryphal story that MI5 used to zero their drives, burn them, and store the ashes. In all cases, extreme physical damage should cover all your bases. Whatever was in there at the time the disk marked it bad may still be there. If the disk is doing over-provisioning to deal with exhausted sectors you should be aware that an OS level zero pass won’t touch any data in previously failed sectors. SSDs are a little different because of how they may be handling over-provisioning. That’s not meant as an insult, just a guess that if you were a big enough target, you would already have policy. Honestly probably nobody cares to go to the effort to extract the platters of a failed disk of yours, if you’re asking Reddit what to do for this. Worth noting that single pas of zeros is only useful for healthy drives. Single pass is fine if that’s what you’ve got. If you work out of a DC that happens to have a degausser you can make use of, that works too. The lazy/safe way for spinning media is to store them until you have a decent batch, the have Iron Mountain or your local equivalent destroy them. If you do a SECURE ERASE or ENHANCED SECURE ERASE, for all intents and purposes the data is history. A simple format, drive erase, or luksFormat will ensure the keys are gone, and the data is pretty much completely gone. With FDE encryption, one doesn't need to go to great lengths. The #1 thing that makes life a lot easier when it comes to drive erasing: FDE encryption. Took the platters out, laid them out on a table, added epoxy resin on top for a modern looking workbench. Gave them to a co-worker who had a high temperature crucible, and got ingots back. Put them in a pile, popped a thermite pack on top. Used hydraulic mauls, rams, press breaks, and such to bend drives into post-post-post-post-modern art sculptures.ĭropped them from a eight story parking garage. When I don't have to do a tap-dance to destroy drives, I have done the following: If a drive goes missing, and an audit happens, I can attest that I did the above two safeguards to ensure if the drive is around, data isn't available. They give me certificates of destruction and a video of the drives meeting their fate, and I reconcile that with the list of drives. I take the drive, hand it over to the guys with the data destruction truck. For SSDs, a quick couple seconds in the microwave (not enough to cause a fire, but enough to fry chips) is good enough. For modern helium drives, a vise and drill will ensure the data is not going to be recovered. but yet the drive label and serial number are intact. not completely, but enough to ensure the data will be hard to retrieve. I first nuke the drive via the OS, BIOS, disk utility, hdparm, or dd. When complance regs require me to destroy a drive: Forget the fact that they, by any stretch of the imagination, do not rock - rocking is simply against their nature. But if X&Y highlights their attributes it also brings Coldplay's weaknesses into sharp relief. Indeed, X&Y is hardly a bold step forward but rather a consolidation of Coldplay's strengths, particularly their skill at crafting surging, widescreen epics. It's deliberate and sleek, cinematic and pristine, hip enough to sample Kraftwerk and blend in fashionable retro-'80s post-punk allusions without altering the band's core. To that end, Coldplay's third album, X&Y - slightly delayed so it follows Rush of Blood by nearly three years, but that's no longer than the time separating OK Computer and Kid A, or The Unforgettable Fire and The Joshua Tree - is designed to be the record that elevates Coldplay to the major leagues, where they are at once the biggest and most important band in the world. Parachutes became a transatlantic hit and 2002's sequel, A Rush of Blood to the Head, consolidated their success by being bigger and better than Parachutes, positioning Coldplay to not be just the new Radiohead, but the new U2: a band that belongs to the world but whose fans believe that the music is for them alone. Tasteful, earnest, introspective, anthemic, and grounded in guitars, the British quartet was everything Radiohead weren't but what the public wanted them to be, and benefited from the Oxford quintet's decision to abandon rock stardom for arcane art rock. After Radiohead stubbornly refused to accept the mantle of world's biggest and most important rock band by releasing the willfully strange rocktronica fusion Kid A in 2000, Coldplay stepped up to the plate with their debut, Parachutes. To save time, you can attach files to cards by dragging and dropping them from your computer or mobile device on top of the Trello card you have open. You can even name the files you are uploading to the card, which can have a different name than the names of the actual files. Or, you can attach a file saved locally on your computer directly to the card. You can paste links for any website, Trello card, or document saved on cloud storage websites Google Drive, Dropbox, or Box. To add attachments to your cards, click the Attachment button on the right-hand side of any card. This feature is often used to create lists of tasks, then “check” each item on the list when each task is completed. You’ll be asked to give your checklist a name, then click the “Add an item” link under your checklist title to add items to your list. But Trello becomes more powerful when you create checklists (or bulleted lists) of tasks - which you can do easily by clicking the Checklists button on the right-hand side of any card. You can easily add text to the Description field of the card. For more sophisticated ways to add new cards, check the next tip. In Progress - cards are moved here when developers are working on themīlocked - if a card contains a task that requires more information before proceeding, we’ll move it to this list until the issue is resolvedĪcceptance Testing - once development of a card’s tasks is complete, we move it to this list so that our Product Owner and client can review the finished outcomeĭone - finally, once a card is finished and approved, it’s moved to this list, where it can always be referenced in the futureĬreating a card is even more obvious: within any list, just click on the option for “Add a card…”, enter the card’s title, and type. Next Up - cards that are ready for developers to start coding Project Information - details about the project, client, and systems Our typical project boards for software development projects consist of 7 lists: Your board can have 1 list, or as many as you need. Users can comment on cards, and you can move those cards between lists. Trello organizes your notes, checklists, links, and file attachments in what they call cards. To begin using a project board, simply create a list by scrolling to the rightmost position on the board, clicking on “Add a list…”, and typing the name of the list. Sometimes, we’ll set-up 2 project boards for each project: one for the client to track the high-level progress of a project, and one for our internal team to manage all of the details. We usually have 1 project board for each client project. To get started using Trello, you set up a project board. Making cards pretty by adding cover images to them Inviting team members and clients to join project boards In order to use Trello like a pro, one first needs to master the basics. Apply the Basics of Creating Lists & Cards Here are 10 Trello tips we use regularly with our everyday project management tool. But we’ll reserve more information about our favorite Power-Ups for another post! Trello also has additional features under-the-hood, called Power-Ups, which we rely on as a software development company to provide our product owners, developers, and designers with even more features. Trello, however, is super-easy to learn, and as a result provides us and our clients with a UI perfect for sharing project information with a diverse range of different stakeholders - from client executive team members to developers and designers alike. There are popular project management tools with more modern user interfaces, like Asana, or those that have custom-built features for software development teams, like Jira. And we like Trello’s husky mascot, Taco, too! It has all the features we need and increases our team productivity. We use it to track development tasks as they are planned, coded, tested, and ready for our clients to approve. We use it to take notes during client meetings, then organize those notes into feature requirements for developers, designers, and marketers. We use it to share files and collaborate on documents together. Trello is our superhero sidekick tool for planning new projects, writing down feature requirements, and managing tasks. Batman has Robin, Archie has Jugghead, Deadpool has Bob. Every superhero has its faithful sidekick. Necessary cookies are absolutely essential for the website to function properly. Please listen to the recent interview which took place on BBC Essex where Pete from Project 49 was interviewed about the Facebook ‘Keep in Touch’ page. Many people with a learning disability live in residential and supported accommodation and can get bored being at home all the time so the group is an aid to their staff so they can put structure into people’s day in a meaningful way. The group is a ‘closed’ group so they can control who joins and monitor activity within it. They are aware that there are lots of other people with learning disabilities who could become socially isolated so the group is open to all and not just those who attend Project 49. Those running sessions are their own staff and people they know within the community such as Southend United, Brazilarte, Yoga for All, Love2sign, Spiral Seed and The Railway Hotel. Activities being offered include live music, sports and fitness, yoga, art, cookery, gardening, poetry etc. They set up a Facebook group called ‘Keep in Touch’ to help people stay connected! They have a varied programme of activities throughout the week, many of which are ‘live’ streamed so can be interactive with those watching. As soon as Project 49 realised they would be closing due to Covid-19 they knew they had to find a way to help keep people in touch with each other and to help prevent social distancing becoming social isolation with it all its associated problems. |